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文明,就現階段而言,仍是戰爭和獨裁的殉葬品。

孩子死了,父親死了,大家在真相面前閉上眼睛。

世人宣稱愛是拯救,是自救,然而作為個體的愛在不義面前,太渺小了。

當個體就活在這個渺小裏,所有的宏圖偉論和發明創造,都有了一層荒謬的色彩。

自身殘殺讓人類蒙羞,卻又不得不承認自身所具有的獸性。

親愛的孩子,我們從未謀面,可你側臥著死去的樣子,就像我七個多月的女兒,每晚喜歡的睡姿。雖然殘忍,我要說,但願你是在美夢中死去,毫無痛苦。

我也知道說這些多麼蒼白,死亡每天都在例行公事,看著人類在自我製造的有關文明,宗教,國家,財富諸多矛盾中有了好戰和好勝的理由。

而我也會毫無例外,或早或晚地死去,儘管我和你一樣,還沒有做好死亡的準備。

是的,生活在忙亂中,已經讓人忘記了死亡的邀請。


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成都幾個文化人,帶著口罩,春熙路上散步,被拎到派出所,還有一個在裏面,據說是藏毒,其實是因為他寫了篇文章,有個很俗的題目,「戴口罩站崗的武警不知道他們才是那坨最沉重霧霾」,大致看了下,斷章摘出一句,「沒有了刀把子這坨霧霾,人們早就終結了這個製造霧霾的體制,霧霾早就解決了,我們又開始在這片神州上重建我們的家園。」怪不得,敢把刀把子和霧霾相提並論,揭其私處,難免會被關照,希望他能躲過此劫。

寫字有罪,戴口罩有罪,所以文字獄之後,他們又有了新花招,不許戴口罩,不許孩子帶口罩。如果我們還信奉冥冥之中的神明,還像哲人說的那樣認為人是思想的蘆葦,還像詩人說的那樣人要詩意棲居大地,那麼就很難想象,明知毒霾危害健康的基本事實而禁止孩子進行自我保護,如果這樣的人也是人,那麼我寧願不做人類的一員。

霾天連連,出不了門,女兒從出生到現在,七個多月的時間,大部分時間都待在家裏,悶熱凝滯,一個封閉的環境怎麼可能有助於孩子的發育成長?焦慮愧疚,時時嚙心。四弟說,除了自救,別無他途。當初也是怕了杭州的毒霾,不想自己的孩子繼續在這種污爛的環境中長大,四弟才費盡心血,舉家移民。

剛又看到西安的石獅子也被戴上口罩,再發不出獅子吼。阿房宮沒了,焚書坑儒的傳統還在發揚光大。對付民間維權的勇士,對付有骨氣的律師,對付有擔當的推友,對付NGO組織,他們慣用煽動顛覆,顛覆國家,聚眾擾亂,尋釁滋事各種「口袋罪」,如今再加「口罩罪」,散個步也被錄口供,再發展下去,恐怕路上多看兩眼美女也是罪過。這樣一個多災之所,高居廟堂者正在主演一場曠日持久的荒誕劇,不幸所有人都被裹挾其中。

口罩有罪,你有罪,我有罪,我們都是戴罪之身,暫時的安全以精神的幾近崩潰為代價,強自度日。


2016.12.13日午後,水南莊

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在網絡時代,作為肉體凡胎的人,「電子化」已成為一個基本屬性。藉由技術之手,現代人按時完成每天的生活和學習,像完成一個既定的流程。手機,電腦,家電,影視,遊戲,VR,GPS……在一大堆電子器件中,人正成為金屬動物。

而就人的初衷而言,簡單和淳樸,才能讓人心走的更近。人心要求著返璞歸真,手藝人一樣,一切勞作靠雙手完成,純手工製作,原創和手寫,就像小時候捏的泥人。

那麼,在技術圍墻和心靈擴張的兩難之境中,有和解共進的路徑嗎?或者說,當我們用一種類似疫苗的技術成果作為載體進行自我表達時,這種「自我表達」是真實可信的嗎?當一切皆虛擬,真實是否從此消失?在意識到這種局限後,個體將如何自我表達,并自我認同?

顯然,不管個體是接納還是排斥,技術必然有自己的演進路徑,無論你是熱愛還是遠離,技術都是現實存在的一部分,并把因此產生的能量和成果作用於人類。

換言之,技術的雙刃劍,就如暴力美學,意味著施與與掠奪並存。當技術讓導彈變得精準,則意味著人可以更精緻地殺人,當技術讓數據肆意變形,人將無法信任投票或調研的結果。

以技術的名義,可以造福,也可以殺戮。比如立在社區的大型等離子屏,作為一種拙劣的洗腦工具,呼應著一九八四中提到的電子幕,告訴你老大哥無處不在。在電影「飢餓遊戲」中,類似的電子天幕,替代了自然天光。

那麼對於技術,什麼樣的態度才是審慎的?大家不是應該對技術創造的諸多成果──抱有天然的善意嗎?因為它畢竟讓人離自由更近了一步。美,力量,玄幻,宇宙探索,思想呈現,動員組織,效率,寫作,這些都無一例外與技術產生共振,構成某種微妙的生活圖景。而沒有信息的流動和撞擊,人將不復為人。衹是在日常生活景觀中,技術和人工智能,是親善,還是入侵,是趨勢,還是失控,都是未知。但就核彈而言,死亡就是預設值。

如古人說的,他山之石,可以攻玉。熱愛技術,承認這是智慧的載體,抱著一種奇思妙想的心情去感受,克服因為技術自帶的暗黑和冰冷氣質而產生的不適感,把對技術參數的冰冷看成高分和成果,克服對技術的偏見,從被動接受到主動認知,知其越界之後的危害性,才可能一窺技術的奧妙。

人類進展到今天,技術或已成文明的基石。以你正在敲字的MacBook Air為例,它已經是一塊讓記憶和思想留存的樂土。除了不斷學習和運用新技術,一個人將成為自己的桎梏。

而一個現代人的死,將復活於一個虛擬的空間。


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